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We didn't have to remake Dark Crystal - we could just branch out." Henson and company are even considering options for an animated series (which had actually been the original pitch to Netflix), but that those might be separate stories: "We could. I think Netflix looked at what we were doing and they could see this was a pretty broad canvas. One of the ways this has happened is with the graphic novels that extend the world. "We can explore this world from all different sides. "We've been thinking of Thra as a world that has a reality to it in the past, the present, the future, and even inside the world," Henson said. In case you weren't aware, there are already a few direct comic book and YA novel tie-ins to Age of Resistance out there, and Lisa Henson definitely left the door open in her SyFy Wire interview as to options for exploring the gap between Age of Resistance's finale and the timeline of Jim Henson and Frank Oz's original 1982 film. And to just put that up again would be a huge thing." It's safe to assume that the people involved more or less saw this coming, between the expense and the physical challenges presented by returning to work at all. You have no idea watching the finished show just how big it was. "It looks delicate, it looks beautiful, but it's an incredibly large endeavor. And the COVID concerns are perhaps even multiplied because we have such large crews," she explained. "As long as you're doing puppetry, it's still a live-action shoot.
Lisa Henson described some of those challenges in an interview with SyFy Wire shortly before the cancellation announcement came down.
Several puppets for Age of Resistance require two operators inside a suit at one time, not to mention extra handlers on the outside between scenes. All productions across the entire world are having difficulty balancing the health needs versus rising cost as the industry attempts to navigate a new normal. On top of that, there is the elephant in the room: the COVID-19 pandemic.
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